Danish film has never felt stronger on the international stage than it did with the Dogme films, which at the world premiere of ‘The Party’ and ‘The Idiots’ during the Cannes Film Festival in 1998 put Denmark on the film world map. Another eight films under the strict Dogme rules followed and created great international careers for several of the talents in front of and behind the handheld camera. Thomas Vinterberg, Søren Kragh-Jacobsen, Paprika Steen, Ulrich Thomsen, Trine Dyrholm, Iben Hjejle, Anders W. Berthelsen, Lone Scherfig, Sonja Richter and many more of the country’s greatest filmmakers look back on when Denmark became Dogme.
Motel Melati was originally an old Dutch colonial estate which was converted into an inn.…
Set during the lockdown, Umayal Karthika deciding to spend time at a 100-year-old unkempt library…
Every day, a father and his son jump with a parachute from their vertiginous cold…
The individuals that comprise the Tokyo MER team rush to on-site disasters and accidents, performing…