In his second feature film, Leandro Listorti establishes a parallel between two worlds he seems to know well: that of plants and that of cinema. This delicate cinematographic work, full of beautiful images—both archival and current—gives an account of the immense work of classification and preservation, and generously invites us to think about forms of representation and memory.
Motel Melati was originally an old Dutch colonial estate which was converted into an inn.…
Set during the lockdown, Umayal Karthika deciding to spend time at a 100-year-old unkempt library…
Every day, a father and his son jump with a parachute from their vertiginous cold…
The individuals that comprise the Tokyo MER team rush to on-site disasters and accidents, performing…