“I am not the remains. I exist.” Three Jordanian women barely survived the violence inflicted on them by men. Çelik films them from as up close as possible in their flats, which they barely leave, listening to them speak with the opaque logic of trauma.
Motel Melati was originally an old Dutch colonial estate which was converted into an inn.…
Set during the lockdown, Umayal Karthika deciding to spend time at a 100-year-old unkempt library…
Every day, a father and his son jump with a parachute from their vertiginous cold…
The individuals that comprise the Tokyo MER team rush to on-site disasters and accidents, performing…